Editing & Post · Camera · Production
BA (Hons) Film & Television Production · Bournemouth University
Second-year Film & TV Production student who edits as well as shoots. First-year credits across editing and post, producing, studio camera, sound and lighting — plus stills from fine art studies to a commissioned store shoot. Looking for a 2027/28 placement year in creative production and post, and crew work on real productions.
Forty seconds from the year-one work — studio camera, green-screen composite, the car shoot and interview. All footage Dominic's own.
Work experience, university productions and BTEC coursework. Each piece is a portfolio cut — full versions are available on request.
Editor · work experience
Cut during work experience at OSN, from trailer footage handed over by the editor he was shadowing. Recut the trailer down to promo length, built the channel end card and did the audio pass. A supervised exercise rather than a broadcast credit — the lesson was how fast a promo has to land the title and where the end card has to sit.
Camera Operator
A studio-built show recorded live to gallery — band performance, autocue links and a three-guest interview segment. Operated a studio camera to the director's talkback, framing and reframing shots through rehearsals, timed run-throughs and live-to-tape.
Producer · Camera · Editor
A two-hander dialogue scene shot on green screen and composited into a period interior, with the key, floor shadow and window light matched to the plate. Produced end to end — scheduling, crew, kit bookings, risk assessments — then shot, cut and graded it.
Presenter · Editor
A full news programme — studio links to camera, a location report from the beach and a sit-down interview. Presented it and did all the production editing: assembling the segments, cutting the interview, titles and graphics through to the end card.
Writer · Sound · Lighting · Editor
An essay on how cars carry character and period on screen, from Goldfinger to Tokyo Drift. Researched and wrote it, rigged and operated sound and lighting for the interview shoot, shot the original car footage and cut the piece.
Camera · Editor
A vegetarian cooking tutorial shot and cut solo to a brief. Overhead and close work through prep, wok and plating, cut to hold the thread of a recipe that happens in real time — the food has to stay continuous across setups and still read clearly at every step.
Writer · Editor
A close reading of how lighting and colour carry the storytelling — the sodium haze of Blade Runner 2049, the candle-and-window naturalism of House of Guinness, the cold daylight of Inception. Film extracts are used for criticism and review and are credited on screen.
Three strands — personal work shot on location, studio studies from A-Level Fine Art Photography, and a commissioned store shoot.
Personal work · on location
A-Level Fine Art Photography · GEMS Wellington
Made in the Desert · commissioned store shoot
Self-taught modelling, shading and lighting in Blender — scenes built to practise the same things that matter on set: where the light comes from, what the surface does with it.
Second-year Film & Television Production student at Bournemouth University who edits as well as shoots — first-year credits across editing and post, producing, studio camera, sound and lighting.
Comfortable in a live multi-camera studio and on location, with a reputation for organised, reliable work — production paperwork and risk assessments through to wrap. Raised in Dubai and used to working across nationalities and cultures.
Looking for a 2027/28 placement year in creative production and post, alongside crew, runner and freelance work where there's something to learn on a real production.
Available for placements, crew and runner work, and freelance.
Phone (UK)
+44 7737 739099
Phone (UAE)
+971 58 530 3898